1990 出生於彰化
江基名的創作在意的是如何塑造作品行成被觀看的對象，試圖讓觀者進到創作者的視角中，自2012開始江基名便透過雕塑在形式上不斷的製造「偶、像」，透過雕鑿的勞動更像是儀式性的過程，對他來說創作過程，是不斷地找尋"他者"的存在，江基名的題材呈現大致關注於"我與他人"、"他者"、"他者的關係"。

少女形象雕塑是江基名的創作起點，也曾經是他的主觀情感投射，藉由雕刻的過程嘗試紓解與異性相處的緊張焦慮。隨著時間推移，他開始將作品塑造成被觀看的主體，試圖將觀眾帶入創作者的視角，而雕塑也成為江基名觀察時代氛圍以及面向世界的窗口。

「森」系列是江基名這兩年發展的作品之一，他利用早期建築所拆卸的部分做為主要的材料，以居家創作的方式，進一步衍伸出這一系列的作品，將這些碎塊重新建構出一個微型世界。他選用即使過了半甲子依然能保留香味的台灣檜木作為主要創作材料，去回應物件裡解構和建構的雕塑形式。他在創作上保留部分的漆色，讓觀者感受痕跡的故事以及雕刻物件的關係，也讓這些材料使作品呈現新的語彙。以「森」、「簇」、「群」的複數性概念回應當代個體和群體的關係，也透過微觀以不同視點的關係遊走於作品之間，時而聚焦時而模糊，以不同的符號、人物回應情感和社會的觀點。
 

1990 Born in Changhua

Chiang Chi Ming 's creation is concerned with how to shape the work into an object to be viewed, trying to let the viewer enter the perspective of the creator. Since 2012, Chiang Chi Ming  has been continuously creating "idols and images" in form through sculpture. ", the labor of carving is more like a ritual process. For him, the creative process is a constant search for the existence of "others". Chiang Chi Ming 's theme presentation generally focuses on "me and others", " "Other", "other relationship".

The sculpture of a girl is the starting point ofChiang Chi Ming 's creation, and it was also the projection of his subjective emotions. Through the process of sculpture, he tried to relieve the tension and anxiety of getting along with the opposite sex. As time went by, he began to shape his works into subjects to be viewed, trying to bring the audience into the perspective of the creator. Sculptures also became Chiang Chi Ming 's window to observe the atmosphere of the times and face the world.

The "Forest" series is one of the works developed by Chiang Chi Ming  in the past two years. He uses the dismantled parts of early buildings as the main materials, and further develops this series of works by creating at home, combining these broken pieces. Blocks recreate a miniature world. He chose Taiwanese cypress wood, which can still retain its fragrance even after half a century, as the main creative material to respond to the deconstructed and constructed sculptural forms in the objects. He retains part of the paint color in his creations, allowing viewers to feel the story of the traces and the relationship between the carved objects, and also allows these materials to present a new vocabulary in the works. The plural concepts of "forest", "cluster" and "group" are used to respond to the relationship between contemporary individuals and groups, and the relationship between different perspectives is wandered between the works through the microscopic view, sometimes focusing and sometimes blurring, using different symbols, Characters respond to emotional and social perspectives.